From 2019 onwards, she began to combine porcelain with other materials, notably in the Endless and Kinetic Garden series, where thousands of porcelain scales are assembled one by one onto sculpted supports. In 2024, The Molting Season marked a new stage in her work, with porcelain scales mounted on large cotton canvases to create moving porcelain tapestries. Her practice explores cycles, movement, and transformation, drawing on notions of impermanence, duality, and balance, and translates a contemplative observation of natural processes into sculptural form.